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Little Willie

3/19/2018

0 Comments

 
Hi,
The song of the week is 'Little Willie' in the key of A.

Recordings
Ralph Stanley - key of B 
https://www.youtube.com/watch?v=IpvwPOp4nSQ

John Reischman & The Jaybirds (vocal: Trisha Gagnon) - key of C -   here -

Melody
The melody sheets attached here are based upon how Ralph Stanley sang the song on an earlier recording by the Stanley Brothers. On this recording, which was available on youtube for a brief while in the recent past, but is not currently available there, Ralph sang it in the key of A (a whole step lower than B), and this is the recording that I learned to sing the song from. (I have it only on an old grainy cassette tape.)

Progression
The chord progression for Little Willie is:
1   1   b7  b7

1   5   1    1
1   1   b7  b7
1   5   1    1

The b7 Chord
The b7 (flat-seven) chord is always one whole step (= two half steps) lower than the 1 chord. 

If you know the 7 letter circular musical alphabet, and know that there is a note between every natural note except between B and C and between E and F, and know what is meant by a whole step (or by two half steps) and what is meant by flat (b) and sharp (#) and natural, then you have all the information you need to know in order to very quickly calculate what the b7 chord is for every key (albeit perhaps not the all the information you need in order to ensure that you are always naming it correctly: e.g., G# - incorrectly named - in place of Ab - correctly named - for the key of Bb, even though G# and Ab are one and the same note/chord).

Although we only use 8 of the 12 Major keys at our jam, here is the b7 chord for all 12 Major keys:

G:   b7 = F
Ab: b7 = Gb
A:   b7 = G
Bb: b7 = Ab
B:   b7 = A
C:   b7 = Bb
C#: b7 = B (or Db: b7 = Cb)
D:   b7 = C
Eb: b7 = Db
E:   b7 = D
F:   b7 = Eb
F#: b7 = E (or Gb: b7 = Fb)

Banjo and guitar players who regularly make use of a capo should at the very least memorize the letter name of the b7 chord for the keys of G, C, and D. 

Guitar players whose guitars are set up to be capable of the level of volume needed in order to stand a chance of cutting through at a large Bluegrass jam
(medium or heavy gauge strings and high action) will find it helpful to remember that the b7 chord in the key of C is Bb, so that when they know that the song about to be played at the jam has a b7 chord in it, and is going to be played in the key of C, or D, or E, or F, they can choose a option that will not require them to play a Bb chord-shape: for this chord-shape is physically difficult to form and to make sound right on a guitar with high action and medium to heavy gauge strings.

4 vs. b7
When I am playing guitar, my F shape chords look so similar to my C shape chords that, in order to distinguish them from each other, you may find it easier to rely on your ear to hear the difference between when I am playing a b7 chord instead of a 4 chord for the keys of G, A, Bb, B, and C, than to rely on what you (may think you) are seeing on my guitar. 

The b7 chord sounds distinctively different than the 4 chord (even if not as different as what the b7 sounds like relative to the 1 and the 5). To help familiarize yourself with the specific sound of the b7 chord, you may find it helpful to listen on youtube (or on any records, tapes, CDs, etc.) in your collection, songs that feature this chord in one or more of their parts back to back with songs that have only the 1,4 and 5 chords in them. 

You may also find it helpful to play through the progression for Little Willie back to back with the progression for Nine Pound Hammer, for the only difference between the two progressions is that Nine Pound Hammer uses the 4 chord in the spots where Little Willie uses the b7 chord.

Besides 'Little Willie', songs that have been played at our jams that use the b7 chord include: Old Joe Clark (B-Part only, and has no 4 chord in either of its parts), Red Haired Boy (in both parts; both parts also have the 4 chord), Salt Creek (in both parts; the A-Part also has the 4 chord) Over The Waterfall (second to last measure of the A-Part; the last measure of the A-Part uses the 4 chord), Little Maggie (has no 4 chord), and Love Please Come Home (the b7 is followed by the 4).

Relation to 'Little Maggie'
Lyrical content aside, Little Willie is essentially a slower-tempo Little Maggie. (Little Maggie is a popular Bluegrass jam standard.) So, we can use it at the jam to work towards one of the goals appropriate for the present state of our jam, namely: to be able to play faster as a group. Each time that 'Little Willie' is played at the jam, we can kick it off a bit faster, until we get to the point where the speed is no longer appropriate for Little Willie. At that point, we can switch to playing 'Little Maggie', and then keep on trying to gradually push Little Maggie faster and faster each time it gets played at the jam

Little Willie shares either the same, or a very similar, chord progression with Little Maggie, depending on which version of Little Maggie one has in mind. The two melodies are close enough to each other that any melody-based break that one plays for Little Maggie would not be out of place to play as a break for Little Willie. Though, one might consider altering the first measure (together with any pickups leading into it) of one's Little Maggie break when using it for Little Willie (and perhaps also one's 9th measure), especially for one's intro break, in order for it to be clear which song your break is intended for. (The first long-held melody note in the first and third lines of the verses of Little Willie is a perfect 5th higher than the corresponding melody note in Little Maggie.)

For the sake of comparison and contrast with 'Little Willie', take a listen to the following:

Little Maggie: Ralph Stanley:
https://www.youtube.com/watch?v=UXl5YJrVeII

and yet faster:
Little Maggie: Ricky Skaggs and Kentucky Thunder
https://www.youtube.com/watch?v=58fSMNDvxRw

Instrumentals written by Earl Scruggs
'Shuckin' The Corn' is one of about ten or so instrumentals written by Earl Scruggs that I regard as essential listening for all Bluegrass players:
https://www.youtube.com/watch?v=DLajUmnDzFA

Others include: 
Flint Hill Special
https://www.youtube.com/watch?v=BZ5SzHd8-gY

Earl's Breakdown
https://www.youtube.com/watch?v=vDt4RvFrdmQ

Foggy Mountain Special
https://www.youtube.com/watch?v=XF-SBW0TDPc

Ground Speed
https://www.youtube.com/watch?v=HJvbXNPdtVU

Randy Lynn Rag
https://www.youtube.com/watch?v=MvnpnFk3gzI

Foggy Mountain Breakdown
https://www.youtube.com/watch?v=z_Y3mnj-8lA

Happy Pickin',
Jason
Little Willie - banjo tab
Download File

Little Willie - mandolin tab
Download File


Little Willie - guitar tab
Download File
​

Little Willie - melody in A
Download File
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    Jason's Intermediate Jam Blog 2017 - 2018

    started as Beginner Jam in Jan 2015
    with
    ​Jason Homey

    Picture
    Songs regularly called at Bluegrass Jams and links from Jason's "Song of the Week" emails.  (from Renee)
    ​
    ​

    Songs

    All
    Are You Missing Me
    Auld Lang Syne
    Banks Of The Ohio
    Beautiful Brown Eyes
    Beautiful Star Of Bethlehem
    Big Spike Hammer
    Bill Cheatham
    Blue Ridge Cabin Home
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    Cherokee Shuffle
    Cheyenne
    Christmas Carol Progressions
    Christmas Songs
    Clinch Mountain Backstep
    Cry Cry Darlin
    Cryin' Holy
    Devil's Dream
    Dooley
    Down In A Willow Garden
    Down The Road
    East Virginia Blues
    Fireball Mail
    Foggy Mountain Breakdown
    Gathering Flowers From The Hillside
    Gold Rush
    Gold Watch And Chain
    Hand Me Down My Walking Cane
    Head Over Heels
    Homestead On The Farm
    How Mountain Girls Can Love
    I Can't Feel At Home
    I Know You Rider
    In The Pines
    In The Sweet By And By
    I Saw The Light
    John Henry
    Keep On The Sunny Side
    Left Over Biscuits
    Little Cabin Home On The Hill
    Little Darling Pal Of Mine
    Little Maggie
    Little Willie
    Love Of The Mountains
    Love Please Come Home
    Nine Pound Hammer
    Old Home Place
    Old Joe Clark
    O Little Town Of Bethlehem
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    Over The Waterfall
    Poor Wayfaring Stranger
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    Red Wing
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    Roll In My Sweet Baby's Arms
    Roving Gambler
    Sally Goodin
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    Shuckin' The Corn
    Steel Rails
    Turkey In The Straw
    We'll Meet Again Sweetheart
    Whiskey Before Breakfast
    Why Don't You Tell Me So
    Wildwood Flower
    Wreck Of The Old '97
    X-Hits And B-List Songs Of 2016
    X Music Theory
    X New Song List 2018
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      • Becky Smith Interview
      • Marv Quinton Interview
      • Rue Frisbee Interview
      • Donna and Mike Bond Interview
      • Honi Deaton Interview
      • Dennis Stokes Interview
      • Gary Eller Interview
    • Articles >
      • Glen Garrett - The Golden Years
      • Sammie Bush - came to Weiser
      • Mark O’Connor - My History at Weiser
      • Barbara Lamb - Fiddler Extraordinaire
      • Charlie Simmons -The Idaho Bluegrass Association from 1975 to 1985
      • Idaho's 19th century Fiddlers
      • Weiser Fiddle Champions ​ 1950s & 1960s
      • ​Byron Berline
      • Dave Frisbee
      • Weiser Fiddle Champions from 1970s and 80s
      • Megan Lynch Chowning
      • Fiddle Champion ​in 1990s and 2000s
      • Tashina and Tristan Clarridge
    • Snap Shot - Videos from IBA members
  • Events
    • Calendar (BCBB)
    • Open Mic
    • SpringGrass 2023
    • Bluegrass in the Park 2023
    • Virtualgrass
    • Other Bluegrass Events
  • Jam
    • Idaho Jams
    • Jason's Beginner Jam Blog 2021 - 2023
    • All of Jason's Songs
    • Old Blogs from Jason >
      • Jason's Intermediate Jam Blog 2021 - 2022
      • Jason's Beginner Jam Blog 2019 - 2021
      • Jason's Intermediate Jam Blog 2019 - 2021
      • Jason's Beginner Jam Blog 2017 - 2018
      • Jason's Intermediate Jam Blog 2017 - 2018
      • Songs in 2016
  • Camps & Contests
    • Idaho Bluegrass and Banjo Camp
    • Banjo Contest
    • National Oldtime Fiddlers’ Contest
  • Idaho Bands
  • Teachers
  • Classified
  • Links
    • General
    • Learning
    • Specific Instruments