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Fireball Mail

4/23/2018

1 Comment

 
Hi,
The song of the week is 'Fireball Mail' in the key of G.

Recordings
Flatt & Scruggs - key of G, instrumental. The classic bluegrass version
https://www.youtube.com/watch?v=ZQAazUWhWWk

Roy Acuff - key of A, the original sung version. Country/pre-Bluegrass
http://www.youtube.com/watch?v=f4VIOdzdHlM  

Earl Scruggs again - key of G (this time with his sons - not exactly a traditional bluegrass band, but good guitar and fiddle breaks here, plus a harmony back-up part played on the banjo behind the fiddle break)
https://www.youtube.com/watch?v=z5_iK_Mw7mc&list=PLVfBgidtkx0KVmnRHW7f2HvCGxGe6D_NS&index=10

Lyrics
Although Fireball Mail - originally a Roy Acuff song - does have lyrics (verses, no chorus), it was recorded by Flatt and Scruggs, on the Foggy Mountain Banjo album, as an instrumental featuring banjo and dobro; and it is through this recording more than any other that Fireball Mail has become a standard in the bluegrass repertoire. 

Although I will lead Fireball Mail at the jam as an instrumental, I have included the lyrics for the first verse in the melody sheets, since some people find it easier to learn and/or remember a melody when they can associate a set of lyrics with it. 
 
Progression
The chord progression used for 'Fireball Mail' on the Flatt & Scruggs recording is the standard progression for the song when played at bluegrass jams:
 
1111
1155
1111
1511

This is the same progression that is used to play 'Canaan's Land', 'Gathering Flowers From The Hillside', the verses of 'Feast Here Tonight', and (at our jam) the verses of 'I'm Gonna Sleep With One Eye Open')

However, unlike the four songs just mentioned, there is nothing in the melody of 'Fireball Mail' that requires changes from the 1 to the 5 chord. On the 7th, 8th, and 14th measures of Fireball Mail, the main melody note is the 5th note of the major scale (D note when in the key of G). This note is common to both the 1 (G) and the 5 (D) chord: G=GBD; D=DF#A. Furthermore, in playing his breaks, Scruggs completely ignores the changes to the 5 chord, choosing to play G and B notes around the D melody notes in the '5 chord' measures, rather than F# and A notes. This is especially noticeable in his up the neck break.
 
Melody
Although the melody only consists of 8 notes, the range of the melody spans almost one and a half octaves.  This is an exceptionally wide range for a tune that was originally written as a vocal number.  (Fireball Mail has the same range as another recent song of the week: 'Down In A Willow Garden', but unlike 'Down In A Willow Garden', the lowest note and the highest note in the melody are dwelt on rather than used merely in passing). 

The melody notes for Fireball Mail, in ascending order of pitch, are (in the key of G): D,E,G,A,B,D,E,G (same as 'Down In A Willow Garden, when played in G). This means lots of open strings and 2nd fret notes on banjo and dobro, and lots of opportunities for unison slides/hammer-ons.  Additionally, many of the G and D notes in the melody are held for a long time (a whole measure or longer) before the melody moves to the next note.  All of these things make this tune particularly well suited to the banjo and the dobro, which helps to explain why 'Fireball Mail' is a favorite among many banjo and dobro players.
 
Happy Pickin',
Jason
Fireball Mail - banjo tab
File Size: 403 kb
File Type: pdf
Download File

Fireball Mail - guitar tab
File Size: 424 kb
File Type: pdf
Download File

Fireball Mail - mandolin tab
File Size: 349 kb
File Type: pdf
Download File

Fireball Mail - melody in G
File Size: 409 kb
File Type: pdf
Download File

1 Comment
Tom Keeney
12/2/2024 07:10:52 pm

I'd also add for reference Tom Adams' version of this tune from his Right Hand Man album. Tom's banjo work is right in the pocket and t's got nice mandolin & fiddle breaks. Tom adds some slight variations that really show how this tune sounds in a more modern setting in this 1990 recording on Rounder.

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    Jason's Intermediate Jam Blog 2017 - 2018

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  • Home
    • About
    • Join Us
    • Donate
    • IBA Newsletter
    • Our Logo
  • Articles & Podcasts
    • Podcasts >
      • Jason Homey Interview
      • Donna and Mike Bond Interview
      • ​Jeremy Garrett Interview
      • Keith Reed Interview
      • Becky Smith Interview
      • Marv Quinton Interview
      • Rue Frisbee Interview
      • Honi Deaton Interview
      • Dennis Stokes Interview
      • Gary Eller Interview
    • Articles >
      • Glen Garrett - The Golden Years
      • Sammie Bush - came to Weiser
      • Mark O’Connor - My History at Weiser
      • Barbara Lamb - Fiddler Extraordinaire
      • Charlie Simmons -The Idaho Bluegrass Association from 1975 to 1985
      • Idaho's 19th century Fiddlers
      • Weiser Fiddle Champions ​ 1950s & 1960s
      • ​Byron Berline
      • Dave Frisbee
      • Weiser Fiddle Champions from 1970s and 80s
      • Megan Lynch Chowning
      • Fiddle Champion ​in 1990s and 2000s
      • Tashina and Tristan Clarridge
    • Snap Shot - Videos from IBA members
  • Events
    • Calendar (BCBB)
    • Open Mic
    • SpringFest 2025
    • Winterfest
    • Bluegrass in the Park
    • Virtualgrass
    • Other Bluegrass Events
  • Jam
    • Idaho Jams
    • Beginner Jam
    • Jason's BIBJ
    • All of Jason's Songs
    • Old Blogs from Jason >
      • Jason's Beginner Jam Blog 2021 - 2023
      • Jason's Intermediate Jam Blog 2021 - 2023
      • Jason's Beginner Jam Blog 2019 - 2021
      • Jason's Intermediate Jam Blog 2019 - 2021
      • Jason's Beginner Jam Blog 2017 - 2018
      • Jason's Intermediate Jam Blog 2017 - 2018
      • Songs in 2016
  • Camps & Contests
    • Idaho Bluegrass and Banjo Camp
    • Banjo Contest
    • National Oldtime Fiddlers’ Contest
  • Idaho Bands
  • Teachers
  • Classified
  • Links
    • General
    • Learning
    • Specific Instruments