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Bury Me Beneath The Willow

9/15/2022

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Hi everyone,
I hope you have had a good Summer. I will resume leading the beginner jams at the Powderhaus on Tuesday, Sept. 20th (6:30-9pm). Attached here are the song lists and other handouts that will be used for the jams until the end of the year.

The song of the week for the Sept. 20th jam will be 'Bury Me Beneath The Willow' in the key of G. 

Recorded by the Carter Family in 1927 (under the title 'Bury Me Under The Weeping Willow Tree'), and then by the Monroe Brothers (Bill Monroe and his older brother Charlie) in 1937 as 'Weeping Willow Tree', 'Bury Me Beneath The Willow' has gone on to become one of the most common of Bluegrass standards.

Recordings
Alison Krauss - key of E
https://www.youtube.com/watch?v=jzA68Ohwke4

The Stanley Brothers - sharper than the key of F#, but flatter than the key of G
https://www.youtube.com/watch?v=ohRY7WNqGJY

Ricky Skaggs & Tony Rice - key of G
https://www.youtube.com/watch?v=sHUSKENZsHA

The Carter Family - key of B
https://www.youtube.com/watch?v=YCniFuHlPG0

The Monroe Brothers - key of F
https://www.youtube.com/watch?v=fRxz4OQ4yzc
Jason Homey & The Snake River Boys - G (starts at 8:28)
Jason Homey and the Snake River Boys, IBA Open Mic, 4/23/19 - YouTube

Jam Videos
Here are three youtube jam videos I have made for Bury Me Beneath The Willow. I recommend starting with the one listed first. In that one, I am on guitar.
Jason’s YouTube Links – Alphabetical Listing – Parisology (cyberplasm.com)

Arrangement
Of the recorded versions of Bury Me Beneath The Willow given here, the Alison Krauss and Snake River Boys recordings are the only ones that start with a full-length intro break. The half-length intro breaks played on the Stanley Brothers and Monroe Brothers recordings consist of the second half of a full-length break. 

When I have kicked the song off at the beginner jam, I have always played a full-length intro break (16 measures, plus often 1 or 2 additional measures added on to the end of the break before starting to sing the first verse), and I have usually expected others who kick the song off to do the same, as this tends to work better at the jams than any of the other options for starting the song. 

Progression
The chord progression for Bury Me Beneath The Willow (on all the recordings given here except for the Monroe Brothers' version) is the most common of all progressions in Bluegrass:

1144
1155
1144
1511
(Prog. V7 on the Basic Progressions handout.)  

Here's a short list of standard bluegrass songs that use this same progression:
Wreck Of The Old '97
I'll Still Write Your Name In The Sand
I'm On My Way Back To The Old Home
Your Love Is Like A Flower
Y'all Come
A Memory Of You  
Down Where The River Bends
Lost And I'll Never Find A Way
Come Back Darlin'
Why Did You Wander
If I Should Wander Back Tonight
I'm Waiting To Hear You Call Me Darling
Ain't Nobody Gonna Miss Me When I'm Gone
Road To Columbus
Hold Whatcha Got
True Life Blues
Blue Moon Of Kentucky (verse)
Black Mountain Rag (C-Part)
Flint Hill Special (A & B Parts)
Rose Of Old Kentucky (verse)
Tiny Broken Heart (verse)
Little Annie (verse)
White Dove (verse)

In the key of G: 1=G, 4=C, and 5=D

The G chord is made up of the notes: G, B, and D.
The C chord is made up of the notes: C, E, and G.
The D chord is made up of the notes: D, F#, and A.

Together, these 7 notes make up the G major scale, and the melody of Bury Me Beneath The Willow makes use of all of them. (See the melody sheets at the bottom of this write-up.)

Pickups into Breaks
When played in the key of G, the first melody note of the first full measure of the verses and chorus is the D note above the G note that the melody ends on. When this is the case, the most effective pick up notes to use to kick off the song are usually the B, C, and C# notes immediately below that D note. Use of this series of notes is equally effective on all the bluegrass lead instruments. Give it a try. Start by finding the B note on your instrument, and then ascend in half steps (on a fretted instrument, this means you will not skip over any frets) until you reach the D note, playing the B, C, and C# notes as quarter notes, and be sure to place a heavy accent on that D note, since it is the first note of the first full measure of the song. I have included this pickup phrase on the melody sheet files at the bottom of this email.

Transposed to each of the 7 other keys that we play in at the jam,
the notes become:

Key    Pickup Notes     Leading to:
A        C# D  D#            E note
Bb      D  Eb E               F note
B        D# E  E#             F# note
C        E   F  F#             G note
D        F# G  G#            A note
E        G# A  A#             B note
F         A   Bb B             C note

The note named as E# in the context of the key of B pickups is the same note as the note that is in most other contexts is named as F.

Other songs on the current main list and additional songs list for the jam for which this same 3-note pick-up measure will work effectively, for the same reasons that it works so well for Bury Me Beneath The Willow include: 'Foggy  Mountain Top', 'Gathering Flowers From The Hillside', 'Lonesome Road Blues', and 'Wreck Of The Old '97'. In all these songs, the first melody note in the first full measure of the song is a perfect 5th higher than the root note. (The D above G when in the key of G, the E above A when in the key of A, the F above Bb when in the key of Bb, etc.)

Lyrics
The lyrics I use for the chorus are the same as those on the Stanley Brothers recording.

Bury me beneath the willow,
Under the weeping willow tree;
So he may know where I am sleeping,
And perhaps he'll weep for me.

The words written in bold are those that differ from one or more of the other recorded versions given here.

On the Alison Krauss and Stanley Brothers recordings, there are two verses, 
on the Skaggs & Rice and Monroe Brothers recordings, there are three verses, and on The Carter Family recording there are four verses:

At the jam, I usually sing three verses:
1. My heart is sad and I'm in sorrow....
2. He told me that he dearly loved me....
3. Tomorrow was to be our wedding....

Occasionally I have added a fourth verse that is similar to the Carter Family's fourth verse, but begins instead with: 'Place on my grave a snow white lily'.

Happy Pickin',
Jason

Bury Me Beneath The Willow - melody in G
Download File

Bury Me Beneath The Willow - banjo tab
Download File

Bury Me Beneath The Willow - guitar tab
Download File

Bury Me Beneath The Willow - mandolin tab
Download File
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      • Rue Frisbee Interview
      • Honi Deaton Interview
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    • Articles >
      • Glen Garrett - The Golden Years
      • Sammie Bush - came to Weiser
      • Mark O’Connor - My History at Weiser
      • Barbara Lamb - Fiddler Extraordinaire
      • Charlie Simmons -The Idaho Bluegrass Association from 1975 to 1985
      • Idaho's 19th century Fiddlers
      • Weiser Fiddle Champions ​ 1950s & 1960s
      • ​Byron Berline
      • Dave Frisbee
      • Weiser Fiddle Champions from 1970s and 80s
      • Megan Lynch Chowning
      • Fiddle Champion ​in 1990s and 2000s
      • Tashina and Tristan Clarridge
    • Snap Shot - Videos from IBA members
  • Events
    • Calendar (BCBB)
    • Open Mic
    • SpringFest 2025
    • Winterfest
    • Bluegrass in the Park
    • Virtualgrass
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    • Idaho Jams
    • Beginner Jam
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    • Old Blogs from Jason >
      • Jason's Beginner Jam Blog 2021 - 2023
      • Jason's Intermediate Jam Blog 2021 - 2023
      • Jason's Beginner Jam Blog 2019 - 2021
      • Jason's Intermediate Jam Blog 2019 - 2021
      • Jason's Beginner Jam Blog 2017 - 2018
      • Jason's Intermediate Jam Blog 2017 - 2018
      • Songs in 2016
  • Camps & Contests
    • Idaho Bluegrass and Banjo Camp
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