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Hi everyone,
The song of the week is 'Foggy Mountain Top' in the key of G. Recordings Earl Taylor & Jim McCall - key of G Foggy Mountain Top - YouTube Doc Watson, Earl Scruggs, & Ricky Skaggs - key of G 3 Pickers - Foggy Mountain Top - YouTube Jason Homey & The Snake River Boys - key of G (starts at 15:36) Jason Homey and the Snake River Boys, IBA Open Mic, 6_25_19 - YouTube Jam Videos Here are three youtube jam videos I have made for Foggy Mountain Top. I recommend starting with the one listed first. (Go to the 7:29 mark in the video.) In that one, I am on guitar. Jason’s YouTube Links – Alphabetical Listing – Parisology (cyberplasm.com) Progression The chord progression for Foggy Mountain Top is: 1141 1155 1141 1511 This is Prog. V6 on the Basic Chord Progressions handout. In the key of G: 1=G, 4=C, 5=D. This is the same progression that is used to play 'All The Good Times Are Past And Gone', 'Amazing Grace', 'Light At The River', and the verses and breaks for 'Before I Met You' and 'Little Cabin Home On The Hill'. Notice that it differs from Prog. V7 in only two places: V6: V7: 1141 1144 1155 1155 1141 1144 1511 1511 V7 is the progression that is used to play 'Bury Me Beneath The Willow', 'Faded Love', 'I'm Waiting To Hear You Call Me Darling', 'A Memory Of You', and 'Wreck Of The Old '97'. Pickup Notes On the Doc Watson, Earl Scruggs, and Ricky Skaggs recording of Foggy Mountain Top, notice Doc's choice of pickup notes to lead into the first complete measure of his intro break on guitar: G, B, C, which ascend to a D note. This is the same series of notes that the melody of 'When The Saints Go Marching In' begins with, and is much more effective for starting a break than if one were to use the D half-note as a pickup that is written on the Foggy Mountain Top melody sheets at the bottom of this write-up. Pickup Notes 1 3 4 leading to 5 do mi fa leading to sol Key of G: G B C D Key of A: A C# D E Key of Bb: Bb D Eb F Key of B: B D# E F# Key of C: C E F G Key of D: D F# G A Key of E: E G# A B Key of F: F A Bb C This is a good case in point illustrating how it is often not desirable to slavishly follow the sung melody when playing a melody-based break. An alternative choice of pickup notes to use to ascend into the D note that the first complete measure begins with is: B, C, C#, and this is the choice of notes that you will often hear played on banjo and fiddle on bluegrass records as pickups to lead into a melody line that starts with a D note on a G chord. These are the very first notes played on the banjo on the other two recordings provided here for Foggy Mountain Top (a D note is played along with each of the chromatically ascending pickup notes, which is typical on banjo). These are the same pickup notes I recommended for starting breaks for Bury Me Beneath The Willow in the song of the week write up for that song. Refer back to the section on 'Pickups into Breaks' in that write up: Beginner Bluegrass Jam Songs - Idaho Bluegrass Association Fill-in Licks The third measure of lines 2 and 4 of each verse and chorus of Foggy Mountain Top has only one syllable in it, which is sung at the beginning of the measure. And, the measure that follows begins with a rest. During these kinds of 'dead spaces' within the melody of a song, it is very common for a fill-in lick to be played on one or more of the instruments. In the files at the bottom of this write-up, I have included a chart of simple G chord (the 1 chord when in the key of G) and D chord (the 5 chord when in the key of G) fill-in licks for guitar, banjo, fiddle, and mandolin. The D fill-ins are intended for measure 3 through to the first quarter of measure 4 of line 2 of the progression, and the G fill-ins are intended for measure 3 through to the first quarter of measure 4 of line 4 of the progression. These G licks are also good to use in measures 3 to 4 of line 4 of your breaks. The D licks given for fiddle and mandolin will work in measures 3 to 4 of line 2 in fiddle and mandolin breaks, but the D licks given for banjo and guitar are not well suited for use in banjo and guitar breaks. On the chart of fill-in licks, notes in parentheses are not really part of the fill-in lick proper and may be omitted if they are inconvenient to get into from what you were doing immediately before the fill-in measures begin. For instance, if you are playing chop chords on the fiddle or mandolin right up to the point where the fill-in measure starts, you may wish to substitute a quarter note rest in place of the quarter note in parentheses that occurs at the beginning of the fill-in lick measure. Likewise, the notes you play in a fiddle or mandolin break in measure 2 of line 2 may lead you more naturally to play an A note at the beginning of the next measure rather than a D note, for the A note is the melody note. When this happens, just substitute the A note in place of the D note in the D fill-in lick shown in parentheses on the chart. Endings For songs like Foggy Mountain Top that use a progression that ends with two measures of the 1 chord, and in which the last syllable is sung at the beginning of the first of these two measures (which includes the overwhelming majority of the non-instrumental songs on the current main list and additional songs list), it is common for a two-measure ending lick to be played on the instruments during the last two measures of the progression when the song is going to end. In most cases, this means the last two measures of the final chorus (or, for songs that don't have a chorus, the final verse) of the song. In the files, I have included a chart of simple two-measure endings in the key of G for fiddle, mandolin, guitar, banjo, and bass that will work for all of the songs that fit into this category, except for the ones played in 3/4 time. Notice that the last note played in each of the endings coincides with the beginning of the second half of the last measure. (For 3/4 time songs, appropriate ending licks would have their last note coincide with the beginning of the last measure.) Harmony Since the starting note for the melody of the chorus is the fifth of the 1 chord (a D note when in the key of G), the starting note for the tenor harmony is the root note of the 1 chord (a G note when in the key of G), and the starting note for the baritone harmony is the third of the 1 chord (a B note when in the key of G). The last note for the tenor harmony is the third of the 1 chord (a B note when in the key of G) and the last note for the baritone harmony is the fifth of the 1 chord (a D note when in the key of G), for, as in the vast majority of songs, the melody ends with the root note of the 1 chord. Song List 19 songs were played at last night's jam: 13 from the main list, 5 from the additional songs list, and 1 that is on neither list: All The Good Times Are Past And Gone - A Beautiful Brown Eyes - G Boil The Cabbage Down - A Buffalo Gals - A Bury Me Beneath The Willow - G Cripple Creek - A Foggy Mountain Top - G I'll Fly Away - D Little Birdie - Bb My Home's Across The Blue Ridge Mountains - B New River Train - D Nine Pound Hammer - B Soldier's Joy - D Amazing Grace - G Angeline The Baker - D Hand Me Down My Walking Cane - G Old Joe Clark - A She'll Be Coming Round The Mountain - A Red Wing - G Happy Pickin', Jason G & D Chord Fill-in Licks Download File Endings for most songs in G Download File Foggy Mountain Top - Melody in G Download File Foggy Mountain Top - Banjo tab Download File Foggy Mountain Top - Guitar tab Download File Foggy Mountain Top - Mandolin tab Download File
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Hi everyone,
The song of the week is 'Foggy Mountain Top' in the key of G. Recordings Earl Taylor & Jim McCall - key of G https://www.youtube.com/watch?v=MYPV958N0_g Doc Watson, Earl Scruggs, & Ricky Skaggs - key of G https://www.youtube.com/watch?v=M06bCshmjQc&list=PLrKc0UaxjO0BfsX2Y0PFFr3q_G85nX7PY&index=3 Jason Homey & The Snake River Boys - key of G (starts at 15:36) Jason Homey and the Snake River Boys, IBA Open Mic, 6_25_19 - YouTube Jam Videos Here are three youtube jam videos I have made for Foggy Mountain Top. I recommend starting with the one listed first. (Go to the 7:29 mark in the video.) In that one, I am on guitar. Jason’s YouTube Links – Alphabetical Listing – Parisology (cyberplasm.com) Progression The chord progression for Foggy Mountain Top is: 1141 1155 1141 1511 This is Prog. V6 on the Basic Chord Progressions handout. In the key of G: 1=G, 4=C, 5=D. Other songs that use this same progression include: All The Good Times Are Past And Gone Amazing Grace Swing Low, Sweet Chariot (some versions) Light At The River Live And Let Live I'll Never Shed Another Tear On And On Purple Robe Why You Been Gone So Long Crazy Arms Why Should We Try Anymore Additionally, there are many songs that use this progression for their verses, but use a different progression for their chorus (in most cases, the closely related Prog. X6). Here are a few examples: Little Cabin Home On The Hill Jesse James Before I Met You Cabin In Caroline Gonna Settle Down Little Girl Of Mine In Tennessee Little Old Log Cabin In The Lane Hallelujah, I'm Ready To Go Lovesick And Sorrow Memories Of You (also known as 'The Old Swinging Bridge') Compare the progression for Foggy Mountain Top (V6) with the progression for another one of the songs on the main list, 'Bury Me Beneath The Willow': 1144 1155 1144 1511 Notice how similar these two progressions are. They differ from each other only in two of their measures, namely the last measure of line 1 and last measure of line 3. Part of the practical value of observing how certain commonly recurring progressions are similar and different from each other is that by taking note of this, one can help oneself to avoid certain common mistakes. In my years of jamming experience, I have noticed that a lot of people seem to be more familiar with prog. V7 than with prog. V6. At large jams, when a song that uses prog. V6 is played, I have found that it is typical to find at least one person playing prog. V7 for the first round or two through the progression. I count this as being one of the top half dozen or so errors involving wrong chord changes that occur at jams. Yet, the opposite case - namely, someone playing Prog. V6 during a song that uses Prog. V7 - rarely ever occurs at jams. Another way to put this is that when the first three measures are 114, there is a tendency to assume that the fourth measure will stay on the 4 instead of going back to the 1. This assumption should be avoided, because songs with the 'Foggy Mountain Top' (V6) progression are very common in bluegrass, even if not quite as common as songs with the 'Bury Me Beneath The Willow' (V7) progression. Pickup Notes On the Doc Watson, Earl Scruggs, and Ricky Skaggs recording of Foggy Mountain Top, notice Doc's choice of pickup notes to lead into the first complete measure of his intro break on guitar: G, B, C, which ascend to a D note. This is the same series of notes that the melody of 'When The Saints Go Marching In' begins with, and is much more effective for starting a break than if one were to use the D half-note as a pickup that is written on the Foggy Mountain Top melody sheets at the bottom of this write-up. Pickup Notes 1 3 4 leading to 5 do mi fa leading to sol Key of G: G B C D Key of A: A C# D E Key of Bb: Bb D Eb F Key of B: B D# E F# Key of C: C E F G Key of D: D F# G A Key of E: E G# A B Key of F: F A Bb C This is a good case in point illustrating how it is often not desirable to slavishly follow the sung melody when playing a melody-based break. An alternative choice of pickup notes to use to ascend into the D note that the first complete measure begins with is: B, C, C#, and this is the choice of notes that you will often hear played on banjo and fiddle on bluegrass records as pickups to lead into a melody line that starts with a D note on a G chord. These are the very first notes played on the banjo on the other two recordings provided here for Foggy Mountain Top (a D note is played along with each of the chromatically ascending pickup notes, which is typical on banjo). These are the same pickup notes I recommended for starting breaks for Bury Me Beneath The Willow in the song of the week write up for that song. Refer back to the section on 'Pickups into Breaks' in that write up: Beginner Bluegrass Jam Songs - Idaho Bluegrass Association Fill-in Licks The places in the Foggy Mountain Top progression where it works well to play a fill-in lick in breaks and in backup playing are exactly the same as the places in the Bury Me Beneath The Willow progression where it works well to play a fill-in lick. Refer back to the attachments and the section on 'Fill-in Licks' in the song of the week write up for Bury Me Beneath The Willow: Beginner Bluegrass Jam Songs - Idaho Bluegrass Association Melody On the melody sheets for Foggy Mountain Top provided at the bottom of this write-up, notice that during the 5 chord measures in line 2 of the progression, the main melody note that is dwelt on is the second note of the Major Scale. 2nd note of the Major Scale (re) 5 Chord (the fifth of the 5 chord) Key of G: D A Key of A: E B Key of Bb: F C Key of B: F# C# Key of C: G D Key of D: A E Key of E: B F# Key of F: C G This is extremely common in songs that have 1155 as the second line of their progression. Other songs on the current main list and additional songs list in which this happens are All The Good Times Are Past And Gone (Prog. V6), Beautiful Brown Eyes (Prog. W7), Bury Me Beneath The Willow (Prog. V7), Gathering Flowers From The Hillside (Prog. V1), Mama Don't Allow (Prog. V2), New River Train (Prog. W2), The Crawdad Song (Prog. V2), I'll Still Write Your Name In The Sand (Prog. V7), Little Cabin Home On The Hill (Prog. V6 + X6), A Memory Of You (Prog. V7), Red River Valley (Prog. V2 or W2), She'll Be Coming Round The Mountain (Prog. V2), When The Saints Go Marching In (Prog. V2), and Will You Be Loving Another Man (Prog. V2). The two exceptions to this are Amazing Grace (Prog. V6) and Wreck Of The Old '97 (Prog. V7) Lyrics & Arrangement There are two verses sung for Foggy Mountain Top on the Earl Taylor and Jim McCall recording. There are four verses sung for the song on the Doc Watson, Earl Scruggs, and Ricky Skaggs recording. In the four verse version of the song, the verses in the two verse version occur as verses 1 and 3. Most times when I have sung Foggy Mountain Top at the jams, I have used only the first 3 verses of the four verse version. But, no matter how few or how many verses I end up singing, I almost always have had the song start as: break, chorus, break, verse 1, chorus, etc. (like on the Earl Taylor and Jim McCall recording, and on the Snake River Boys recording), rather than as: break, verse 1, chorus, break, verse 2, etc. The melody sheets provided at the bottom of this write-up show the standard set of lyrics for the chorus. Harmony Since the starting note for the melody of the chorus is the fifth of the 1 chord (a D note when in the key of G), the starting note for the tenor harmony is the root note of the 1 chord (a G note when in the key of G), and the starting note for the baritone harmony is the third of the 1 chord (a B note when in the key of G). The last note for the tenor harmony is the third of the 1 chord (sung a minor sixth lower than the starting note of the tenor harmony), and the last note for the baritone harmony is the fifth of the 1 chord (sung a major sixth lower than the starting note of the baritone harmony), for, as in the vast majority of songs, the melody ends with the root note of the 1 chord. The Carter Family A good number of songs that are now in the standard bluegrass repertoire were recorded by the Carter Family in the 1920's, 30's, and early 40's before Bluegrass music, in the generally accepted sense of the term, came into being, and their recordings of these songs directly influenced the first and second generation bluegrass artists who brought these songs into Bluegrass. (Both Flatt & Scruggs and Ralph Stanley, for instance, have recorded entire albums consisting of nothing but Carter Family songs, and there are many, many more of these songs scattered here and there on their other albums.) The 'pre-Bluegrass' music of the Carter Family bears a similar relation to Bluegrass as what the music of Woody Guthrie has to the 'Pop-Folk' music genre of the 60s. So, for historical reasons, and because I believe that familiarity with the music of the Carter Family is an important part of a well-rounded Bluegrass education, here is a link to the old Carter Family recording of Foggy Mountain Top: https://www.youtube.com/watch?v=tnzjYS1iYJw Other Carter Family songs that are on the current main list and additional songs list include: Bury Me Beneath The Willow (the very first song that the Carters recorded) Gathering Flowers From The Hillside My Home's Across The Blue Ridge Mountains Will The Circle Be Unbroken (there were earlier recorded versions, but they did not have much influence on how this song is played as a Bluegrass song compared to the Carter Family's version) Gold Watch And Chain Worried Man Blues Song List 16 songs were played at last night's jam: 9 from the main list, 2 from the additional songs list, and 5 that are on neither list: Boil The Cabbage Down - A Bury Me Beneath The Willow - A Cripple Creek - A Down The Road - A Foggy Mountain Top - G I'll Fly Away - G New River Train - F Soldier's Joy - D Will The Circle Be Unbroken - G Lonesome Road Blues - G Old Joe Clark - A Away In A Manger - G Good King Wenceslas - A Silent Night - C Little Elf Joe - A Hand Me Down My Walking Cane - A Happy Pickin', Jason Foggy Mountain Top - Banjo tab Download File Foggy Mountain Top - Guitar tab Download File Foggy Mountain Top - Mandolin tab Download File Foggy Mountain Top - Melody in G Download File |
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