Hi everyone,
It has been confirmed that the weekly public Intermediate Bluegrass Jams will resume on Wednesday Sept. 8, at the Ironwood Social from 6:30 - 9:00.

I'm on banjo this week for the video jams.

Intermediate Jam:
Roving Gambler - A (120)
Wabash Cannonball - A (108)
Dooley - B (124)
Intermediate Bluegrass Jam 6/18/2021 /Jason Homey - YouTube

Happy Pickin',
Jason

Hi everyone,
For this week's jam videos, I am playing mandolin.
I hope you'll enjoy playing these songs with me.

Intermediate Jam:
Roving Gambler - A (120)
Wabash Cannonball - A (108)
Dooley - B (124)
Intermediate Bluegrass Jam 3/6/2021 /Jason Homey - YouTube

Happy Pickin',
Jason

Hi everyone,
I hope you are all doing well.

Intermediate Jam
Love, Please Come Home - A
On And On - A
Roving Gambler - Bb
https://www.youtube.com/watch?v=BpEeo_Z1i3Q

Happy Pickin',
Jason

Hi everyone,
Here are some more songs to jam along with.
Keep safe and well.

Happy Pickin',
Jason


Intermediate Jam:
Red Wing - G
Roving Gambler - A
Steel Rails - G

Hi,
The song of the week is 'Roving Gambler' in the key of A.

Recording
Peter Rowan - key of Bb
https://www.youtube.com/watch?v=pe1hlelnwg8


Progression
The progression I use for Roving Gambler is:
1111
1141
11511

If it helps, you may wish to think of this progression as consisting of the first half of the progression for Long Journey Home (or Gotta Travel On) followed by the last line of the progression for Wildwood Flower (or Leaning On The Everlasting Arms. or Molly And Tenbrooks). 

Other songs that have been played at the jam in which a three-line (as opposed to the much more common four-line) progression is used include 'Banjo Riff', and the short form (12 measure) version of Worried Man Blues.

The progression given here is the same as that used for the breaks on the recording (minus extra measures of the 1 that go by between the ending of a break and the beginning of the next verse), but not for the verses. On the recording, there are extra measures of the 1 chord at the ends of both lines 2 and 3 in the verses. I keep the progression the same for both the verses and the breaks (once again, not counting any extra measures of the 1 that I might allow to go by between the ending of a break and the beginning of the next verse).


Form & Arrangement
The arrangement I use for Roving Gambler when leading it at the jam is based upon the recording: seven verses, no chorus, with two verses being sung back to back between breaks, with one verse left over to end the song.  

Both the form and the arrangement I use for Roving Gambler are nearly identical with the form and arrangement used on the original Bill Monroe recording of Molly And Tenbrooks, a song that has occasionally been played in previous incarnations of the intermediate jam, except that Molly And Tenbrooks is sung with 9 verses instead of 7, and makes use of a tack-on ending. See to what extent you can detect the similarities in form and arrangement between the two songs. 

Molly And Tenbrooks - Bill Monroe
https://www.youtube.com/watch?v=8pK3kfq4y6Q

A third song with a similar form and arrangement to Roving Gambler and Molly And Tenbrooks is the version of McKinley's Gone (a.k.a., White House Blues) found on Flatt & Scruggs' Folk Songs Of Our Land album:
https://www.youtube.com/watch?v=UxD1g2I4FN8

The practical advantage of learning to group songs together based upon similarity of form and/or arrangement is the same as the practical advantage of associating songs with each other that have similar progressions or the same progression as each other. It reduces the number of distinct pieces of information to keep track of when learning new songs, or when trying to follow along on new songs that come up at a jam, and this enables one to more quickly and easily expand one's repertoire.


Melody
The melody of Roving Gambler consists of the notes of the Major Pentatonic scale which are the 1st, 2nd, 3rd, 5th, and 6th notes of the Major Scale (A, B, C#, E, and F# in the key of A;  G, A, B, D, and E in the key of G, etc.) The first two lines (first 8 measures) of the melody of Roving Gambler are similar to the first two lines of the melody of Long Journey Home, except that the melody goes higher in Roving Gambler in measures 3 and 4 of line 1 than what it does in measures 3 and 4 of line 1 of Long Journey Home. The second lines of the two songs are similar enough that I often use exactly the same notes/licks in a melody-based intro break for the second line of Roving Gambler as the ones that I typically use for the second line of an intro break for Long Journey Home. Keep in mind that good melody-based breaks often do not follow the melody slavishly, but take some liberties with it.


Harmony
Although Roving Gambler does not have a chorus, it does have repetitions in its lyrics. In these spots, namely, the third (last) line of each verse, it is common for harmony to be sung. The third line of any given verse repeats twice the lyrics that make up the second half of the second line of that verse. (Note: Molly And Tenbrooks has a similar type of repetition at the ends of its verses, but in that song it is not customary for harmony to be sung on the last line of the verses.)


Song List
18 songs were played at last night's jam: 

Bill Cheatham - A
Cry, Cry Darlin' - G
Dooley - B
Gold Watch And Chain - D
Little Willie - A
Love Of The Mountains - C
Love, Please Come Home - B
Roving Gambler - A
Steel Rails - G
Bring Back My Blue-Eyed Boy To Me - G
Flint Hill Special - G
Cripple Creek - A
Lonesome Feeling - C
Little Cabin Home On The Hill - C
Lonesome Road Blues - G
Wreck Of The Old '97 - D
St. Anne's Reel - D
Roll In My Sweet Baby's Arms - A

Happy Pickin',
Jason