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Reuben

9/29/2018

0 Comments

 
Hi,
The song of the week is 'Reuben' in the key of D.
 
Reuben is known also by many other names.  Some of the most common of these (in Bluegrass circles) are:  'Reuben's Train', 'Old Reuben', 'Lonesome Reuben' and 'Train 45'.  This was the first tune that Earl Scruggs, when he was about 10 years old, played with 3 fingers (up to that time he had been a 2 finger style picker)  Over the years, Earl recorded Reuben many times, and each time he always managed to find some new and interesting way to play it.
 
There are numerous different versions of Reuben, - and even whole other songs that are based on Reuben (e.g., 'Ruby' by the Osborne Brothers) - but they are all based on what is essentially the same simple repetitive melody (8 measures.  Only 4 melody notes in many interpretations of the melody. See the attached melody sheets.) 
 
Key & Banjo Tuning
In Bluegrass circles, Reuben is almost always played in the key of D, with the banjo tuned to an open D major chord ('D tuning': F#DF#AD, or ADF#AD). 

Recordings
Flatt and Scruggs (banjo, fiddle, and dobro breaks) 
https://www.youtube.com/watch?v=Bqci8CdgkzU
 
Earl Scruggs, Marty Stuart, Mark O'Connor (banjo, fiddle, dobro, and guitar breaks: very improv. oriented) 
https://www.youtube.com/watch?v=D-TMdFzH_PA
 
The Dillards (Vocal, banjo breaks, and a simple mandolin break)
http://www.youtube.com/watch?v=o-MTmErL1Og

Progression
The chord progression is:
 
1111
1511
which is the second half of Progressions V1, V3, V5, and X1 on the basic chord progressions handout.
In the key of D: 1=D and 5=A.
 
Note: Most interpretations of the melody do not imply any chord change at all: so it can be difficult at first trying to hear where the A chord fits into the progression.  If you are uncertain about when to change to the A, then just stay on the D.  It is better to play a D over the measure of A, instead of playing an A in the wrong spot.
 
To capo or not to capo
The tune has a strong drony character to it.  To help contribute to this feel of the song, I recommend that guitar and banjo players avoid using a capo for this tune.  Some guitar players like to lower their low E string to a D, so as to further enhance the drony feel of the song. 

Lyrics or no lyrics
Although Reuben is often played as an instrumental - which is how I intend it to be played as it goes through its song of the week cycle at the jam - it does have lyrics. (Actually, there are several different sets of lyrics for Reuben.)  But even when lyrics are used, the tune often still remains mostly instrumental.  The singing can be thought of as a kind of 'vocal break'.  
 
Improvisation
Because the melody is simple and repetitive, and mostly stays on one chord, jamming Reuben makes for a good opportunity to develop one's improvisational skills.  (When improvising over Reuben, one can often get away with ignoring the A chord altogether.)  Reuben is the kind of tune that, when played without variation, can become monotonous quite quickly.  Yet, when one adds just enough variation into the mix, Reuben is the kind of tune that can be jammed on for 10 minutes or more without it getting monotonous.  
 
One can take one's first steps towards improvisation (making up a break on the fly) by creating variations on the melody.  There are many ways to do this.  Examples include adding in extra notes between melody notes, taking out notes, altering the rhythm of the melody, and taking a measure or two of the melody and simply repeating it over and over again.  If you wish to get a little bit more adventurous, you can try creating variations that drift in and out of the melody.  For getting started with doing this, I would like to point out that one can get a lot of mileage out of including C notes in your variations.  Lingering on C notes works quite well for improvisation on this tune if you find yourself out on a limb while your hands are trying to find where to go to next on the fretboard.  And, if you are new to improvising, there will be many, many times when you will suddenly find yourself 'out on a limb'.  In order to become a good improv player (or even to do any kind of improv at all), one must be willing to take risks.

Happy Pickin',
Jason
Reuben - banjo tab
File Size: 251 kb
File Type: pdf
Download File

Reuben - guitar tab
File Size: 253 kb
File Type: pdf
Download File

Reuben - mandolin tab
File Size: 200 kb
File Type: pdf
Download File

Reuben - melody in D
File Size: 244 kb
File Type: pdf
Download File

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    ​Jason's Beginner Jam Blog 2017 - 2018


    ​with
       Jason Homey

    Picture
    ​Songs regularly called at the Beginner Bluegrass Jam and links from Jason's "Song of the Week" emails.  (from Renee)

    ​

    Songs

    All
    All The Good Times
    A Memory Of You
    Angeline The Baker
    Beautiful Brown Eyes
    Blue Ridge Cabin Home
    Boil The Cabbage Down
    Buffalo Gals
    Bury Me Beneath The Willow
    Clinch Mountain Backstep
    Cluck Old Hen
    Columbus Stockade Blues
    Cripple Creek
    Down The Road
    Foggy Mountain Top
    Gathering Flowers From The Hillside
    Good King Wenceslas
    Handsome Molly
    I Can't Feel At Home
    I'll Fly Away
    I'll Still Write Your Name In The Sand
    In The Pines
    In The Sweet By And By
    Leaning On The Everlasting Arms
    Liberty
    Little Birdie
    Little Cabin Home On The Hill
    Lonesome Road Blues
    Long Journey Home
    Mama Don't Allow
    Mountain Dew
    My Home's Across The Blue Ridge Mountains
    New River Train
    Nine Pound Hammer
    Old Joe Clark
    Reuben
    Shortnin' Bread
    Silent Night
    Soldier's Joy
    Sweetheart You Done Me Wrong
    Swing Low Sweet Chariot
    Take This Hammer
    Way Down Town
    We'll Meet Again Sweetheart
    Will The Circle Be Unbroken
    Will You Be Loving Another Man
    Worried Man Blues
    Wreck Of The Old '97
    X- 30 Add. Jam-Friendly Songs
    X Basic Chord Progressions
    X- Basic Chord Progressions
    X-Bluegrass Artists And Bands
    X- Music Theory
    X- Pick-Up Notes
    X- Song List For 2018
    X Song List For 2019
    X- Top 20 List

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  • Home
    • About
    • Join Us
    • Donate
    • IBA Newsletter
    • Our Logo
  • Articles & Podcasts
    • Podcasts >
      • ​Jeremy Garrett Interview
      • Keith Reed Interview
      • Jason Homey Interview
      • Becky Smith Interview
      • Marv Quinton Interview
      • Rue Frisbee Interview
      • Donna and Mike Bond Interview
      • Honi Deaton Interview
      • Dennis Stokes Interview
      • Gary Eller Interview
    • Articles >
      • Glen Garrett - The Golden Years
      • Sammie Bush - came to Weiser
      • Mark O’Connor - My History at Weiser
      • Barbara Lamb - Fiddler Extraordinaire
      • Charlie Simmons -The Idaho Bluegrass Association from 1975 to 1985
      • Idaho's 19th century Fiddlers
      • Weiser Fiddle Champions ​ 1950s & 1960s
      • ​Byron Berline
      • Dave Frisbee
      • Weiser Fiddle Champions from 1970s and 80s
      • Megan Lynch Chowning
      • Fiddle Champion ​in 1990s and 2000s
      • Tashina and Tristan Clarridge
    • Snap Shot - Videos from IBA members
  • Events
    • Calendar (BCBB)
    • Open Mic
    • SpringGrass 2023 >
      • Springfest 2022
    • Winterfest
    • IBA Concert Series
    • Virtualgrass
    • Other Bluegrass Events
  • Jam
    • Idaho Jams
    • Jason's Beginner Jam Blog 2021 - 2022
    • Jason's Intermediate Jam Blog 2021 - 2022
    • All of Jason's Songs
    • Old Blogs from Jason >
      • Jason's Beginner Jam Blog 2019 - 2021
      • Jason's Intermediate Jam Blog 2019 - 2021
      • Jason's Beginner Jam Blog 2017 - 2018
      • Jason's Intermediate Jam Blog 2017 - 2018
      • Songs in 2016
  • Camps & Contests
    • Idaho Bluegrass and Banjo Camp
    • Banjo Contest
    • National Oldtime Fiddlers’ Contest
  • Idaho Bands
  • Teachers
  • Classified
  • Links
    • General
    • Learning
    • Specific Instruments