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Good King Wenceslas

12/7/2018

0 Comments

 
Hi,
The song of the week is 'Good King Wenceslas' in the key of G.

Recordings
Here is a good bluegrass-style instrumental version of Good King Wenceslas:
Peter Schwimmer - key of G
https://www.youtube.com/watch?v=yaDRbDz2kR8

I have not been able to find any good quality bluegrass versions of Good King Wenceslas with vocals, so, for a version with vocals to listen to, the following non-bluegrass version from the Irish Rovers will have to suffice as being close enough:
https://www.youtube.com/watch?v=N5E8CXQwtrg

Progression
The chord progression I use for 'Good King Wenceslas' is:
1     1     4/5    1
1     1     4/5    1
1/5  1     4/5    1
5     1/5  1/5    1/4    1
(In the key of G: 1=G, 4=C, 5=D.)

Notice that the second line is the same as the first line, not only in terms of the chord progression, but also in terms of the melody (see the attached melody sheets). The chord progression for the third line is almost the same as the progression for the first and second lines. The fourth line can be a bit challenging to remember. It is a five measure line (like the last line of Leaning On The Everlasting Arms, and most of the lines of Wildwood Flower) that starts on the 5 chord, and in which the three middle measures of the line are split between two chords: 1 and 5 for the second and third measures of the line, and 1 and 4 for the fourth measure of the line.

Arrangement
The song has five verses and no chorus. At last night's jam, we played it as follows:
Break
Verse 1
Break
Verse 2
Break
Verse 3
Break 
Verse 4
Break
Verse 5
Break
Break
Break

Except for the intro break, which I played on guitar, all the breaks were played as 'everybody' breaks, old-time style, instead of having each of the different types of instruments taking turns being featured. This worked quite well, and this is how I intend to arrange the song again at the jam next week. 

Bluegrass Carols
If you have tried adapting Christmas carols to bluegrass, then you may have noticed that some carols adapt more easily and naturally than others. Like 'Away In A Manger', most of the ones in 3/4 time are good candidates for attempts to play them with a bluegrass feel; but of these, the ones that tend to adapt best have fewer melody notes (on average) per measure and fewer quick chord changes relative to the ones that don't adapt quite as easily.  For example, Silent Night and It Came Upon The Midnight Clear are more 'bluegrass-friendly' than The First Noel and We Wish You A Merry Christmas.  

The carols that are either in cut time (2/2) or in 2/4 (e.g., Jingle Bells, Good King Wenceslas) are natural candidates for being given a bluegrass treatment; while, on the other hand, most of the 4/4 carols (e.g., O Come All Ye Faithful,  O Little Town Of Bethlehem) need to be converted to a cut time feel in order to be played as bluegrass songs; but this can be challenging to do if one is not yet very familiar with how this kind of conversion works, or if one has not heard enough examples of songs being played both ways. 

Happy Pickin',
Jason

Good King Wenceslas - banjo tab
Download File

Good King Wenceslas - guitar tab
Download File

Good King Wenceslas - mandolin tab
Download File

Good King Wenceslas - melody in G
Download File
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    ​Jason's Beginner Jam Blog 2017 - 2018


    ​with
       Jason Homey

    Picture
    ​Songs regularly called at the Beginner Bluegrass Jam and links from Jason's "Song of the Week" emails.  (from Renee)

    ​

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    All The Good Times
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    Columbus Stockade Blues
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    Down The Road
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    Good King Wenceslas
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    I Can't Feel At Home
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    In The Sweet By And By
    Leaning On The Everlasting Arms
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    We'll Meet Again Sweetheart
    Will The Circle Be Unbroken
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  • Home
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    • Join Us
    • Donate
    • IBA Newsletter
    • Our Logo
  • Articles & Podcasts
    • Podcasts >
      • ​Jeremy Garrett Interview
      • Keith Reed Interview
      • Jason Homey Interview
      • Becky Smith Interview
      • Marv Quinton Interview
      • Rue Frisbee Interview
      • Donna and Mike Bond Interview
      • Honi Deaton Interview
      • Dennis Stokes Interview
      • Gary Eller Interview
    • Articles >
      • Glen Garrett - The Golden Years
      • Sammie Bush - came to Weiser
      • Mark O’Connor - My History at Weiser
      • Barbara Lamb - Fiddler Extraordinaire
      • Charlie Simmons -The Idaho Bluegrass Association from 1975 to 1985
      • Idaho's 19th century Fiddlers
      • Weiser Fiddle Champions ​ 1950s & 1960s
      • ​Byron Berline
      • Dave Frisbee
      • Weiser Fiddle Champions from 1970s and 80s
      • Megan Lynch Chowning
      • Fiddle Champion ​in 1990s and 2000s
      • Tashina and Tristan Clarridge
    • Snap Shot - Videos from IBA members
  • Events
    • Calendar (BCBB)
    • Open Mic
    • SpringGrass 2023 >
      • Springfest 2022
    • Winterfest
    • IBA Concert Series
    • Virtualgrass
    • Other Bluegrass Events
  • Jam
    • Idaho Jams
    • Jason's Beginner Jam Blog 2021 - 2022
    • Jason's Intermediate Jam Blog 2021 - 2022
    • All of Jason's Songs
    • Old Blogs from Jason >
      • Jason's Beginner Jam Blog 2019 - 2021
      • Jason's Intermediate Jam Blog 2019 - 2021
      • Jason's Beginner Jam Blog 2017 - 2018
      • Jason's Intermediate Jam Blog 2017 - 2018
      • Songs in 2016
  • Camps & Contests
    • Idaho Bluegrass and Banjo Camp
    • Banjo Contest
    • National Oldtime Fiddlers’ Contest
  • Idaho Bands
  • Teachers
  • Classified
  • Links
    • General
    • Learning
    • Specific Instruments