Idaho Bluegrass Association
  • Home
    • About
    • Join Us
    • Donate
    • IBA Newsletter
    • Our Logo
  • Articles & Podcasts
    • Podcasts >
      • ​Jeremy Garrett Interview
      • Keith Reed Interview
      • Jason Homey Interview
      • Becky Smith Interview
      • Marv Quinton Interview
      • Rue Frisbee Interview
      • Donna and Mike Bond Interview
      • Honi Deaton Interview
      • Dennis Stokes Interview
      • Gary Eller Interview
    • Articles >
      • Glen Garrett - The Golden Years
      • Sammie Bush - came to Weiser
      • Mark O’Connor - My History at Weiser
      • Barbara Lamb - Fiddler Extraordinaire
      • Charlie Simmons -The Idaho Bluegrass Association from 1975 to 1985
      • Idaho's 19th century Fiddlers
      • Weiser Fiddle Champions ​ 1950s & 1960s
      • ​Byron Berline
      • Dave Frisbee
      • Weiser Fiddle Champions from 1970s and 80s
      • Megan Lynch Chowning
      • Fiddle Champion ​in 1990s and 2000s
      • Tashina and Tristan Clarridge
    • Snap Shot - Videos from IBA members
  • Events
    • Calendar (BCBB)
    • Open Mic
    • SpringGrass 2023 >
      • Springfest 2022
    • Winterfest
    • IBA Concert Series
    • Virtualgrass
    • Other Bluegrass Events
  • Jam
    • Idaho Jams
    • Jason's Beginner Jam Blog 2021 - 2022
    • Jason's Intermediate Jam Blog 2021 - 2022
    • All of Jason's Songs
    • Old Blogs from Jason >
      • Jason's Beginner Jam Blog 2019 - 2021
      • Jason's Intermediate Jam Blog 2019 - 2021
      • Jason's Beginner Jam Blog 2017 - 2018
      • Jason's Intermediate Jam Blog 2017 - 2018
      • Songs in 2016
  • Camps & Contests
    • Idaho Bluegrass and Banjo Camp
    • Banjo Contest
    • National Oldtime Fiddlers’ Contest
  • Idaho Bands
  • Teachers
  • Classified
  • Links
    • General
    • Learning
    • Specific Instruments

Bury Me Beneath The Willow

10/20/2021

0 Comments

 
Hi everyone,
The song of the week is 'Bury Me Beneath The Willow' in the key of G. 

Recorded by the Carter Family in 1927 (under the title 'Bury Me Under The Weeping Willow Tree'), and then by the Monroe Brothers (Bill Monroe and his older brother Charlie) in 1937 as 'Weeping Willow Tree', 'Bury Me Beneath The Willow' has gone on to become one of the most common of Bluegrass standards.

Recordings
Alison Krauss - key of E
https://www.youtube.com/watch?v=jzA68Ohwke4

The Stanley Brothers - sharper than the key of F#, but flatter than the key of G
https://www.youtube.com/watch?v=ohRY7WNqGJY

Ricky Skaggs & Tony Rice - key of G
https://www.youtube.com/watch?v=sHUSKENZsHA

The Carter Family - key of B
https://www.youtube.com/watch?v=YCniFuHlPG0

The Monroe Brothers - key of F
https://www.youtube.com/watch?v=fRxz4OQ4yzc
Jason Homey & The Snake River Boys - G (starts at 8:28)
Jason Homey and the Snake River Boys, IBA Open Mic, 4/23/19 - YouTube

Jam Videos
Here are three youtube jam videos I have made for Bury Me Beneath The Willow. I recommend starting with the one listed first. In that one, I am on guitar.
Jason’s YouTube Links – Alphabetical Listing – Parisology (cyberplasm.com)

Arrangement
Of the recorded versions of Bury Me Beneath The Willow given here, the Alison Krauss and Snake River Boys recordings are the only ones that start with a full-length intro break. The half-length intro breaks played on the Stanley Brothers and Monroe Brothers recordings consist of the second half of a full-length break. 

When I have kicked the song off at the beginner jam, I have always played a full-length intro break (16 measures, plus often 1 or 2 additional measures added on to the end of the break before starting to sing the first verse), and I have usually expected others who kick the song off to do the same, as this tends to work better at the jams than any of the other options for starting the song. 

Apart from the intro break on the Monroe Brothers recording, all the breaks on the Alison Krauss, Carter Family, Monroe Brothers, and Snake River Boys recordings are full-length breaks, but the two breaks after the intro break on the Alison Krauss recording are split between two different instruments. The first half of the break after the first chorus is played on the banjo, while the second half is played on the fiddle. The break after the second chorus is split between the guitar and the mandolin. 

The quarter-length breaks after the first and second choruses on the Skaggs & Rice recordings consist of the last line of a full-length break. Such short one-line breaks are called 'turnarounds'. With very few exceptions, I do not favor the use of turnarounds at the jams, since they severely limit the amount of 'break-playing time' within a song.

On all the recordings given here except for the Stanley Brothers recording, the first verse is sung before the first chorus. When arranging songs at the jams, I sometimes sing the first chorus of a song before singing the first verse, but when I do this, it is for the purpose of creating one more spot within the song for breaks to be played than what would otherwise be there. Thus, the beginning of the arrangement would be: Break, Chorus, Break, Verse 1, Chorus.... This differs from the arrangement on the Stanley Brothers recording: Break, Chorus, Verse 1, Chorus....

Progression
The chord progression for Bury Me Beneath The Willow (on all the recordings given here except for the Monroe Brothers' version) is the most common of all progressions in Bluegrass:

1144
1155
1144
1511
(Prog. V7 on the Basic Progressions handout.)  

Here's a short list of standard bluegrass songs that use this same progression:
Wreck Of The Old '97
I'll Still Write Your Name In The Sand
I'm On My Way Back To The Old Home
Your Love Is Like A Flower
Y'all Come
A Memory Of You  
Down Where The River Bends
Lost And I'll Never Find A Way
Come Back Darlin'
Why Did You Wander
If I Should Wander Back Tonight
I'm Waiting To Hear You Call Me Darling
Ain't Nobody Gonna Miss Me When I'm Gone
Road To Columbus
Hold Whatcha Got
True Life Blues
Blue Moon Of Kentucky (verse)
Black Mountain Rag (C-Part)
Flint Hill Special (A & B Parts)
Rose Of Old Kentucky (verse)
Tiny Broken Heart (verse)
Little Annie (verse)
White Dove (verse)

In the key of G: 1=G, 4=C, and 5=D

The G chord is made up of the notes: G, B, and D.
The C chord is made up of the notes: C, E, and G.
The D chord is made up of the notes: D, F#, and A.

Together, these 7 notes make up the G major scale, and the melody of Bury Me Beneath The Willow makes use of all of them.

Melody
In ascending order of pitch, the melody notes for Bury Me Beneath The Willow are:

                    sol  la   ti   do   re   mi  fa   sol  la
                    5    6    7    1    2    3    4    5    6  
Key of G:     D   E   F#   G   A    B   C    D   E
Key of A:     E   F#  G#  A    B   C#  D   E   F#
Key of Bb:   F   G    A    Bb  C   D   Eb  F   G
Key of B:     F# G#  A#  B    C# D# E    F# G#
Key of C:     G   A    B    C    D   E   F    G   A
Key of D:     A    B   C#   D   E   F#  G   A    B
Key of E:     B   C#  D#   E   F# G#  A   B   C#
Key of F:     C   D     E    F   G    A   Bb  C  D

Of the recordings given here, the melody as sung on the Stanley Brothers' and Snake River Boys recordings comes the closest to the version of the melody given on the attached melody sheets. (Scroll down to the bottom of this email message to find the melody sheets.) The Carter Family use essentially the same choice of melody notes, but their timing and phrasing differs in several spots. On the three other recordings, the main melody note in measure 3 of lines 1 and 3 is the 2nd note of the Major Scale (an A note when in the key of G) rather than the 1st note of the Major Scale (a G note when in the key of G).

Pickups into Breaks
When played in the key of G, the first melody note of the first full measure of the verses and chorus is the D note above the G note that the melody ends on. When this is the case, the most effective pick up notes to use to kick off the song are usually the B, C, and C# notes immediately below that D note. Use of this series of notes is equally effective on all the bluegrass lead instruments. Give it a try. Start by finding the B note on your instrument, and then ascend in half steps (on a fretted instrument, this means you will not skip over any frets) until you reach the D note, playing the B, C, and C# notes as quarter notes, and be sure to place a heavy accent on that D note, since it is the first note of the first full measure of the song. I have included this pickup phrase on the melody sheet files at the bottom of this email.

Transposed to each of the 7 other keys that we play in at the jam,
the notes become:

Key    Pickup Notes     Leading to:
A        C# D  D#            E note
Bb      D  Eb E               F note
B        D# E  E#             F# note
C        E   F  F#             G note
D        F# G  G#            A note
E        G# A  A#             B note
F         A   Bb B             C note

The note named as E# in the context of the key of B pickups is the same note as the note that is in most other contexts is named as F.

Other songs on the current main list and additional songs list for the jam for which this same 3-note pick-up measure will work effectively, for the same reasons that it works so well for Bury Me Beneath The Willow include: 'Foggy  Mountain Top', 'Gathering Flowers From The Hillside', 'Lonesome Road Blues', and 'Wreck Of The Old '97'. In all these songs, the first melody note in the first full measure of the song is a perfect 5th higher than the root note. (The D above G when in the key of G, the E above A when in the key of A, the F above Bb when in the key of Bb, etc.)

Lyrics
The lyrics I use for the chorus are the same as those on the Stanley Brothers recording, except that I usually omit their first syllable ('Oh' on the first chorus, 'Then' on the subsequent choruses):

Bury me beneath the willow,
Under the weeping willow tree;
So he may know where I am sleeping,
And perhaps he'll weep for me.

The words written in bold are those that differ from one or more of the other recorded versions given here.

On the Alison Krauss and Stanley Brothers recordings, there are two verses:

Alison Krauss: 
Verse 1: Tonight I'm sad, my heart is lonely....
Verse 2: Tomorrow was our wedding day....

Stanley Brothers:
Verse 1: My heart is sad and I'm in sorrow....
Verse 2: Tomorrow was to be our wedding....

On the Skaggs & Rice and Monroe Brothers recordings, there are three verses:

Skaggs & Rice:
1. My heart is sad and I am lonely....
2. She told me that she dearly loved me....
3. Tomorrow was our wedding day....

Monroe Brothers: 
1. My heart is sad and I am lonely....
2. He told me that he dearly loved me....
3. Tomorrow was our wedding day....

On The Carter Family recording there are four verses:
1. My heart is sad and I'm in sorrow....
2. They told me that he did not love me....
3. Tomorrow was our wedding day....
4. Oh, bury me under the violets blue....

At the jam, I usually sing three verses:
1. My heart is sad and I'm in sorrow....
2. He told me that he dearly loved me....
3. Tomorrow was to be our wedding....

Occasionally I have added a fourth verse that is similar to the Carter Family's fourth verse, but begins instead with: 'Place on my grave a snow white lily'.

Fill-in Licks 
Just like in a recent previous song of the week,'I'll Fly Away', the third measure of lines 2 and 4 of each verse and chorus of Bury Me Beneath The Willow has only one syllable in it, which is sung at the beginning of the measure. And, the measure that follows begins with a rest. During these kinds of 'dead spaces' within the melody of a song, it is very common for a fill-in lick to be played on one or more of the instruments. In I'll Fly Away both of the dead spaces occur during '1' chord measures; however, in Bury Me Beneath The Willow, the first dead space occurs during the '5' chord measures at the end of line 2. So, in the files at the bottom of this write-up, I have included a chart of simple G chord (the 1 chord when in the key of G) and D chord (the 5 chord when in the key of G) fill-in licks for guitar, banjo, fiddle, and mandolin. 

The D fill-ins are intended for measure 3 through to the first quarter of measure 4 of line 2 of the progression, and the G fill-ins are intended for measure 3 through to the first quarter of measure 4 of line 4 of the progression. These G licks are also good to use in measures 3 to 4 of line 4 of your breaks. The D licks given for fiddle and mandolin will work in measures 3 to 4 of line 2 in fiddle and mandolin breaks, but the D licks given for banjo and guitar are not well suited for use in banjo and guitar breaks.

On the chart of fill-in licks, notes in parentheses are not really part of the fill-in lick proper and may be omitted if they are inconvenient to get into from what you were doing immediately before the fill-in measures begin. For instance, if you are playing chop chords on the fiddle or mandolin right up to the point where the fill-in measure starts, you may wish to substitute a quarter note rest in place of the quarter note in parentheses that occurs at the beginning of the fill-in lick measure.  Likewise, the notes you play in a fiddle or mandolin break in measure 2 of line 2 may lead you more naturally to play an A note at the beginning of the next measure rather than a D note, for the A note is the melody note. When this happens, just substitute the A note in place of the D note in the D fill-in lick shown in parentheses on the chart.

For additional G fill-in licks for each of the instruments, refer back to the attachments in the song of the week write-up for I'll Fly Away.
https://www.idahobluegrassassociation.org/jasons-beginner-jam-blog-2019---2020/category/ill-fly-away (scroll down to the very bottom of the page)

Song List
13 songs were played at the jam last night: 11 from the main list, 1 from the additional songs list, and 1 that is on neither list:

All The Good Times Are Past And Gone - A
Beautiful Brown Eyes - G
Buffalo Gals - A
Bury Me Beneath The Willow - G
Cripple Creek - A
I'll Fly Away - G
Little Birdie - Bb
Mama Don't Allow - A

New River Train - F
Nine Pound Hammer - B
Will The Circle Be Unbroken - G
Angeline The Baker - D
Hand Me Down My Walking Cane - A

Happy Pickin',
Jason

Bury Me Beneath The Willow - banjo tab
Download File

Bury Me Beneath The Willow - guitar tab
Download File

Bury Me Beneath The Willow - mandolin tab
Download File

Bury Me Beneath The Willow - melody in G
Download File

G & D Chord Fill-in Licks
Download File
0 Comments



Leave a Reply.

    Picture

    Jason's Beginner
    ​Jam Blog 

    ​2021-2022

    Weekly on Tuesdays
    ​6:30pm to 9pm

    at Powderhaus Brewing 
    ​with Jason Homey

    Categories

    All
    0 - New Song List (Jan 2023)
    0 - Song List 4: Sept To Dec 2022
    0-Song Lists 1: Sept. 2021
    0-Song Lists 2: Jan. To March
    0 Song Lists 3: March - June 2022
    All The Good Times Are Past
    All The Good Times Are Past And Gone
    A Memory Of You
    Angeline The Baker'
    Away In A Manger
    Beautiful Brown Eyes
    Bluegrass Christmas
    Blue Ridge Cabin Home
    Boil The Cabbage Down
    Buffalo Gals
    Bury Me Beneath The Willow
    Cluck Old Hen
    Cripple Creek
    Down The Road
    Foggy Mountain Top
    Gathering Flowers From The Hillside
    I'll Fly Away
    In The Pines
    Leaning On The Everlasting Arms
    Liberty
    Light At The River
    Little Birdie
    Lonesome Road Blues
    Long Journey Home
    Lost All My Money
    Mama Don't Allow
    Mountain Dew
    My Home's Across The Blue Ridge Mountains
    New River Train
    Nine Pound Hammer
    Old Joe Clark
    Old Joe Clark'
    Shortnin' Bread
    Silent Night
    Soldier's Joy
    Sweetheart
    Way Down Town
    Will The Circle Be Unbroken
    Will You Be Loving Another Man
    Worried Man Blues
    Wreck Of The Old '97
    You Done Me Wrong

    RSS Feed

ConTACT US!


ADDRESS:
​Idaho Bluegrass Association
PO Box 6074
Boise, ID 83707

Email

idahobluegrassassociation@gmail.com
Copyright © 2021 IBA.
  • Home
    • About
    • Join Us
    • Donate
    • IBA Newsletter
    • Our Logo
  • Articles & Podcasts
    • Podcasts >
      • ​Jeremy Garrett Interview
      • Keith Reed Interview
      • Jason Homey Interview
      • Becky Smith Interview
      • Marv Quinton Interview
      • Rue Frisbee Interview
      • Donna and Mike Bond Interview
      • Honi Deaton Interview
      • Dennis Stokes Interview
      • Gary Eller Interview
    • Articles >
      • Glen Garrett - The Golden Years
      • Sammie Bush - came to Weiser
      • Mark O’Connor - My History at Weiser
      • Barbara Lamb - Fiddler Extraordinaire
      • Charlie Simmons -The Idaho Bluegrass Association from 1975 to 1985
      • Idaho's 19th century Fiddlers
      • Weiser Fiddle Champions ​ 1950s & 1960s
      • ​Byron Berline
      • Dave Frisbee
      • Weiser Fiddle Champions from 1970s and 80s
      • Megan Lynch Chowning
      • Fiddle Champion ​in 1990s and 2000s
      • Tashina and Tristan Clarridge
    • Snap Shot - Videos from IBA members
  • Events
    • Calendar (BCBB)
    • Open Mic
    • SpringGrass 2023 >
      • Springfest 2022
    • Winterfest
    • IBA Concert Series
    • Virtualgrass
    • Other Bluegrass Events
  • Jam
    • Idaho Jams
    • Jason's Beginner Jam Blog 2021 - 2022
    • Jason's Intermediate Jam Blog 2021 - 2022
    • All of Jason's Songs
    • Old Blogs from Jason >
      • Jason's Beginner Jam Blog 2019 - 2021
      • Jason's Intermediate Jam Blog 2019 - 2021
      • Jason's Beginner Jam Blog 2017 - 2018
      • Jason's Intermediate Jam Blog 2017 - 2018
      • Songs in 2016
  • Camps & Contests
    • Idaho Bluegrass and Banjo Camp
    • Banjo Contest
    • National Oldtime Fiddlers’ Contest
  • Idaho Bands
  • Teachers
  • Classified
  • Links
    • General
    • Learning
    • Specific Instruments